Monday, 1/29/24

Rob Sheridan reflects on early post-Fragile art direction

In this day and age, I still feel a bit of hesitation copying and pasting a block of text that someone else spent time writing, and just dropping it on my site. But then, this site has outlasted enough online magazines, several popular social networks, and more, so I'm still going to do it - and like I've always made a point to do, I'll point you to the original source, Rob Sheridan's Instagram account, where he's made a few posts about artwork he created during the Bleedthrough era - including some previously unreleased imagery he created during this time.

The introduction of scientific imagery in the design here was a bridge that would carry over as the work shifted to the “With Teeth” body of work, which used scanner glitching as its base and overlaid elements derived from and inspired by scientific/medical imaging. I’ll talk more about that in a more in-depth patreon write-up about this soon.

Whenever this work comes around again, people always ask me about the “Bleedthrough” album, how different it was from “With Teeth,” etc and I think there’s this fan mythos that some entirely different album was scrapped and sits in a vault somewhere, but that’s not the case. Bleedthrough was just in-progress With Teeth demos, and what changed wasn’t the entire album, it was the new material that was added as recording moved from New Orleans to LA, how that affected the way older demos were completed, how the tracklist evolved, how perspectives shifted. Sometimes concepts change as inspiration changes, and the names and visuals you’ve been sitting with for almost a year don’t feel right anymore. If anything, what you saw at that time was a rare window into the creative process of how an album evolves, not the scrapping of a bunch of material to start from scratch. And the artwork, as well, evolved pretty organically from this into the “With Teeth” artwork.

I personally was really stoked when the art direction on shifted towards this style, and it's always cool to see it come off the shelves for a little show and tell.

You can find more when you click through to his post (and he's also on Bluesky) - and drop by Glitch Goods to see the latest prints and other products Rob's made available.
Friday, 1/26/24

March of the Pigs gets an update for Fortnite Festival

Back in December, we reported that The Hand that Feeds was part of the debut of Fortnite Festival, a gameplay mode in Fortnite in the style of Rock Band, Tap Tap Revenge, and Dance Dance Revolution. This week, two more NIN songs are available for you to take the stage to - Less Than, the lead single from the Add Violence EP, brings modern NIN to the party, and you're also able to play a version of March of the Pigs that was extended specifically for Fortnite Fest:
"This is a studio recording of what they play live. It's the only recording that exists [...] only to be found on [Fortnite Festival]. Remember the other day when I said Trent was a fan of the game? [He] offered [to record the extended version and] wanted to change songs for improved gameplay."

If you don't have Fortnite, or don't have time to play Fortnite, or somehow don't know what Fornite is, you can always turn to YouTube to hear the new tracks as players perform against them. You'll get slightly different mixes depending on what instrument is being played - and you'll notice one other difference: when it comes to video games with a broad audience, it seems the fuck store was low on inventory, so you won't get any F-bombs in these clips. And there are kids who discover March of the Pigs on Fortnite, get it stuck in their head, decide to check it out on Spotify or maybe the box of CDs in their parents' basement, and will be stunned when they hear "Take the skin and peel it back" for the first time, as that line was excluded from gameplay as well.

Have a listen for yourself on this clip below, courtesy Lydia, who seems to be among the first to post the MOTP clip. Give that kid some likes and subscribes.