"Everything in Mank is real instruments, there's not one synthesizer in the whole thing," says Reznor. "In that sense it's completely different from anything we've done."
Having written a 1940s orchestral score, the composers now find themselves in the bizarre situation of trying to record it, using period instrumentation and recording techniques, during a global quarantine.
Recording new music during a pandemic lockdown has its challenges. It's a good, if somewhat quick read - click here to head over to emmys.com and read it.